Pure analog Moog sound ready to hit the stage.

The Little Phatty Stage Edition has the same features and sound engine as the wildly popular Tribute Edition. Designed by Moog founder and inventor the late Bob Moog, the Little Phatty is a monophonic analog synthesizer with 100 user editable presets. The Stage Edition boasts improved software and a unique auto-calibration feature.

The Little Phatty Stage Edition synthesizer puts the performer in control of a 100% analog signal path with Real Analog Control, two ultra stable Voltage Controlled Oscillators and one Voltage Controlled Filter among other versatile features like CV inputs, KB gate and a full MIDI controller. Real Analog Control (RAC) is a proprietary technology enabling the performer to directly interface with the analog circuitry via the knobs on the control panel, without any digital processing.

It includes updated software with auto calibration and an auto tune function that ensures the instrument is tuned perfectly whether it's in a cool studio or under hot stage lighting. Add in an asymmetric pitch wheel, 21 assignable MIDI controllers and well as arbitrary pot mapping and you can see that the stage edition gives you precise control over your sound.

The Little Phatty is aesthetically pleasing both aurally and visually. A striking design makes it one of the coolest looking synths on the planet. The Stage Edition departs from a traditional wood cabinet and is cradled instead by sleek, charcoal-colored rubberized side panels.

Moog Little Phatty Stage Edition Analog Synth Features:

• Sleek design with modern, charcoal-colored rubberized side panels
• Synth sound engine from Bob Moog
• 100-percent analog signal path
• 100 user editable presets
• 37-note keyboard
• +/-2 octave transpose
• 2 ultra-stable oscillators
• 1 low-pass filter (classic Moog ladder filter)
• 4-stage analog envelope generators
• RAC Real Analog Control

Pump up your music with a real Moog. Click or call now to get yours!

Moog Little Phatty Stage Edition Analog Synth Specifications:

• Synth Engine:
• Sound Sources are two ultra-stable analog VCOs. Parameters for the VCOs are:
• Osc. 1 Octave: 16', 8', 4', 2'
• Osc. 1 Wave: Continuously variable from triangle through saw and square to skinny pulse.
• Osc. 1 Level
• Glide Rate
• Osc. 1 2 Sync On/Off
• Osc. 2 Frequency
• Osc. 2 Octave: 16', 8', 4', 2'
• Osc. 2 Wave: Continuously variable from triangle through saw and square to skinny pulse.
• Osc. 2 Level
• Fine Tune (for both Oscillators, located at the bottom left of the panel)
  
  Sound Modifiers
• VCLPF: 24 dB /Oct Moog Ladder filter
• Filter Overload control
• Single Output VCA.
  
  Filter parameters
• Cutoff
• Resonance
• Kb. Control Amount (how much the Key CV modulates the Filter)
• Filter Env. Amount (how much +/the filter envelope modulates the filter)
• Overload
• An Envelope Generator section provides two ADSR EGRs: one to modulate the Filter (Filter EGR) and one to modulate the VCA (Volume EGR). For each EGR, the parameters are:
• Attack
• Decay
• Sustain
• Release
  
  Modulation parameters:
• LFO Rate
• Mod Source: (LFO triangle, LFO square, LFO sawtooth, LFO ramp, Filt. EGR, and Osc. 2)
• Mod Amount w/mod wheel
• Mod Destination (Pitch, Osc. 2, Filter, Wave)
  
  UI controls:
• Performance controls:
• 37-note keyboard
• Spring-loaded pitch wheel
• Mod Wheel
• Glide On/Off
• Octave Down
• Octave Up
  
  Input/Output:
• AC In (100-250VAC, 50-60 Hz
• Power On/Off
• Audio Out
• Ext. Audio In (accepts +4dBu line level signal)
• Pitch CV In (1 V/Oct)
• Filter CV In
• Volume CV In
• Keyboard Gate In
• MIDI In
• MIDI Out
  
  Dimensions and Weight
• 26.75" X 14.75" X 6.75"
• 22 lbs.